

Henry Sampson · 1h07min
Modern commerce rests on the foundations of ancient criers and eccentric broadsides. This survey explores the public appeal from Roman graffiti to the Victorian press. Listen to trace the DNA of persuasion.
“We selected A History of Advertising by Henry Sampson to explore its lasting influence on the evolution of history. It provides a perfect canvas for debating the complex motives of its characters.”
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Henry Sampson’s A History of Advertising provides an exhaustive survey of how humanity has bought and sold products, services, and ideas from antiquity to the mid-nineteenth century. Sampson argues that while the media change—from the whitened tablets of Greece to the coded columns of the Victorian press—the underlying psychological triggers remain constant. The book begins with an exploration of the physical and auditory landscapes of ancient Rome, where wall graffiti and street criers served as the primary methods of mass communication. Sampson highlights the libelli, or written bills, that functioned as the original lost-and-found posters, proving that commercial needs were as pervasive in the forum as they are in modern cities.
The narrative shifts toward the Middle Ages, documenting a period where low literacy rates forced advertising back into the sensory and auditory realms. The text details the rise of official criers and aggressive touters who physically blocked passersby to sell goods. With the advent of the printing press, the book examines how the mechanism of trust shifted toward the written word. This transition enabled massive financial frauds like the South Sea Bubble of 1720, where scammers used the perceived authority of typography to sell shares in absurd schemes, such as making butter from beech trees.
Sampson concludes his study by examining the Victorian era’s Agony Column, where the press became a tool for clandestine communication and personal theater. He illustrates how advertising evolved from simple informational notices into a sophisticated art of large promise, where merchants sold aspirations rather than just products. The work resolves that the history of advertising is effectively a history of human desire and credulity. By the time of the book’s conclusion, the essential tactics of the industry—including celebrity endorsement, fear-mongering, and emotional manipulation—are already fully formed and operational within the public sphere.
Henry Sampson (1841–1891) was a prominent Victorian journalist, editor, and sporting writer, best known for his work with The Referee. He published A History of Advertising from the Earliest Times in 1874. Written during an era of unprecedented expansion for the British press, the book reflects a period when newspapers were moving away from government-taxed monopolies toward a more independent and commercialized model. Sampson’s work is historically significant because it was one of the first to treat the ephemeral scraps of history—handbills, newspaper clippings, and criers’ oaths—as serious objects of sociological study. The text was produced during the height of the Victorian Agony Columns, a time when the personal advertisements in The Times functioned as a public stage for everything from family dramas to secret spy ciphers. This context makes the book an essential record of how the Victorian public navigated an increasingly complex and deceptive media environment.
Sampson argues that the fundamental mechanism of advertising is the interruption of a consumer's trajectory. In medieval London, touters stood at shop thresholds to vociferate at every passerby, physically blocking their path to demand what they lacked. The book draws a direct line between this physical spatial control and modern digital strategies. Whether it is a person in a narrow street or a pop-up ad on a website, the goal is to hijack attention by forcing a mandatory interaction with the message.
The text explores the unearned trust humans place in printed text. Historically, print was reserved for bibles and royal decrees; advertisers exploited this by adopting formal typography to lend gravity to quack medicines and fraudulent lotteries. This culminated in the South Sea Bubble of 1720, where scammers used the perceived authority of typography to sell shares in absurd schemes, such as making butter from beech trees. This illustrates how the visual medium of print can bypass rational skepticism through institutional aesthetic.
Sampson identifies the early origins of personal branding in the sequis or if anybody notices found in St. Paul’s Cathedral. He highlights the literary character Shift, who posts an advertisement for his services. Shift does not list technical skills but rather markets his physical appearance, such as his little legs of purpose, and his curated wardrobe. This demonstrates that the concept of the personal brand—optimizing a persona for a specific demographic—is a historical constant rather than a social media invention.
Moments from Jasper and Maya's discussion of A History of Advertising:
“The underlying mechanics of how you grab a human being's attention, how you manufacture desire, and how you exploit their insecurities or their credulity... hasn't changed a fraction of a percent in thousands of years.”
— Maya
“An ancient Roman city anticipating a gladiatorial exhibition looked very much like a modern country town anticipating the arrival of a traveling circus.”
— Maya
“Promise, large promise is the soul of an advertisement.”
— Jasper
“The newspaper didn't judge, it just facilitated the commerce, whether that commerce was a bag of coffee beans or a human child.”
— Maya
“The trade of advertising is now so near to perfection that it's not easy to propose any improvement.”
— Maya
This book is a comprehensive historical survey that traces the evolution of advertising from ancient Greek and Roman graffiti to nineteenth-century newspaper classifieds. It examines how the methods of persuasion have changed through technology while the psychological drivers of the consumer remain static.
The book was written by Henry Sampson, a Victorian journalist and editor. It was first published in London in 1874.
Yes, since the book was published in 1874, it is in the public domain. Readers can access the full text for free through various digital archives and library collections.
The discussion between Jasper and Maya regarding Sampson's history runs for exactly one hour and seven minutes. It covers the span of advertising history from antiquity through the Victorian Agony Columns.